Dice Kiefer: “ C’è una tale proliferazione di cose, musica, messaggi, che non esistono più confini da infrangere. Non voglio dire che Duchamp abbia fatto male a esporre il suo orinatoio, la prima volta è stato straordinario, ma la seconda non lo era già più, la terza volta non era altro hee un orinatoio. L’arte e la vita sono due cose molto diverse. ” È davvero la fine di un’era. Dopo il liceo si iscrive a Legge, ma nel 1966 lascia il corso per iscriversi a Pittura. Vive a Friburgo e frequenta lo studio di Peter Dreher poi si trasferisce a Karlsruhe dove avvicina il pittore Horst Antes, che considererà il suo primo e vero maestro. Nel 1972 incontra Joseph Beuys . Sono gli anni in cui Kiefer inizia una serie di azioni artistiche che definirà "Besetzungen" (Occupazioni). Egli, provocatoriamente, si fa fotografare col braccio teso nel saluto hitleriano davanti a una serie di luoghi della Germania Ovest e della Germania Est
kiki Smith is an American artist who was born in Nuremburg, Germany in 1954. The next year, her family moved to South Orange, New Jersey where she lived with her two younger sisters, mother and father. Her father, Tony Smith, was a minimalist artist, known for his large polyhedron-based structures. Smith and her sisters often spent time assembling paper models of his sculptures. She was exposed to the art world: Abstract Expressionism, Minimalism, and significant contemporary artists including Pollock, Rothko, and Newman from an early age. Kiki Smith is an American artist who was born in Nuremburg, Germany in 1954. The next year, her family moved to South Orange, New Jersey where she lived with her two younger sisters, mother and father. Her father, Tony Smith, was a minimalist artist, known for his large polyhedron-based structures. Smith and her sisters often spent time assembling paper models of his sculptures. She was exposed to the art world: Abstract Express
Cy Twombly Ritual 1949 Min-oe 1951 MIN-OE 1951. / BITUMEN, OIL BASED HOUSE PAINT ON CANVAS, 85 X 100 CM. ROBERT RAUSCHENBERG FOUNDATION. Untitled 1951 Landscape 1951 ZYIG, 1951. / LEXINGTON VIRGINIA. 41 X 51.5 CM. UNTITLED 1952. / OIL ON CANVAS, 73.5 X 91.5 CM. SOLON I 1952. / LEXINGTON, VIRGINIA. HOUSE PAINT AND EARTH ON CANVAS, 102 X 133 CM. UNTITLED 1953. / OIL BASED HOUSE PAINT, WAX CRAYON AND PENCIL ON CANVAS, 52 1/8 X 52 1/8 INCHES. ROBERT RAUSCHENBERG FOUNDATION UNTITLED 1953. / MONOTYPE IN PAINT, 48 X 64 CM. UNTITLED 1953. / MONOTYPE IN PAINT, 48 X 64 CM. TIZNIT 1953. / WHITE LEAD, HOUSE PAINT, CRAYON, AND PENCIL ON CANVAS, 53, 1/2 X 6 2 1/2 INCHES (135.9 X 189.2 CM). Dal 1947 al 1949 studia al School of the Museum of Fine Arts di Boston , alla Washington and Lee University e al Art Students League di New York dal 1950 al 1951 . Lì conosce Robert Rauschenberg che lo accompagna al Black Mountain C
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